The Holy Qur’an, the sacred book of Muslims, literally means ‘recitation’ and thus, originated not as a written text to be read silently, but an orally transmitted message from God to be memorized and recited aloud. It is also a work that has been copied by hand more than any other book in Muslim regions. The Qur’an has also played a vital role in Muslim civilizations as the inspiration for several art forms. Inscriptions of the Qur’anic ayats are not only displayed on buildings but also appear on a variety of objects within domestic spaces, are inscribed on various metals to make amulets, or woven into articles of clothing, and are also etched into hand held mirrors, suggesting a very intimate relationship between the divine book and the believer.
In 2003, The Institute of Ismaili studies organized an international colloquium to mark its twenty-fifth anniversary. The colloquium, titled Word of God Art of Man, focused on the Qur’an as a source for creative and artistic inspiration. The conference examined how the discourse of the Qur’an has provided the motivation for many Muslims to beautify the spaces they inhabit and the objects which they cherish.
In his address at the opening of the colloquium, Mawlana Hazar Imam stated that “….the discourse of the Qur’an-e Sharif, rich in parable and allegory, metaphor and symbol, has been an inexhaustible well-spring of inspiration, lending itself to a wide spectrum of interpretations.…..From early on, its passages have inspired works of art and architecture, shaped attitudes and norms that have guided the development of Muslim artistic traditions. In this context, would it not also be relevant to consider how, above all, it has been the Qur’anic notion of the universe as an expression of Allah’s will and creation that has inspired, in diverse Muslim communities, generations of artists, scientists and philosophers? Scientific pursuits, philosophic inquiry and artistic endeavour are all seen as the response of the faithful to the recurring call of the Qur’an to ponder the creation as a way to understand Allah’s benevolent majesty.”
Dr. Fahmida Suleman, Word of God, Art of Man: The Qur’an and its Creative Expressions, Selected Proceedings from the International Colloquium, London, 18-21 October 2003, The Institute of Ismaili Studies
Research Nimira Dewji.
- Ginan: Shaamku aavan(n)taa jo kahe – Those who inform about the arrival of the Imam
- The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts
- Tracing the Quran’s Journey | The Diplomat
- Institute of Ismaili Studies Publishes The Spirit and the Letter: Approaches to the Esoteric Interpretation of the Qur’an
- Angelika Neuwirth: The scholar’s touch
- Islam & Muslims in the 21st Century: The Qur’an in the 21st Century – Walid Saleh’s Lecture at the Aga Khan Museum
- Rice University, Boniuk Institute – Communities of the Qur’an Conference: Ismaili Engagements with the Qur’an
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